StreamRecorder has tracked 21 streams for 킹기훈 (kimdhun) on AfreecaTV, with 179h 2m of total airtime across 21 active days. This profile was first tracked on May 26, 2026 and was last seen on Jul 23, 2026.
Past AfreecaTV Streams
12 recent streamsAfreecaTV Profile Summary
Streaming History
Click a day in the calendar to jump to it
Streaming Activity
Past 90 days
Streaming Insights
-
Most Active Day
1 stream · 6h 26m -
Favorite Streaming Day
Monday -
Most Common Start Time
08:00 -
Tracked SinceMay 26, 2026
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Last SeenJul 23, 2026
AfreecaTV Profile Details
- Platform
- AfreecaTV
- Username
- kimdhun
- Total tracked streams
- 21
- Total airtime
- 179h 2m
- Active days
- 21
- Average streams per active day
- 1.0
- Tracked since
- May 26, 2026
- Last seen
- Jul 23, 2026
- Most active day
- 2026-07-23 · 1 stream
- Favorite weekday
- Monday
- Most common start time
- 08:00
킹기훈 (kimdhun) is a popular AfreecaTV content creator known for his engaging group-based entertainment broadcasts. His streams feature structured seasonal content with multiple episodes, often involving collaborative activities with crew members and guest appearances.
The streamer creates diverse content ranging from interactive group challenges to daily earning experiments, where viewers can watch real-time activities unfold. His broadcasts frequently include "member introduction" segments, suggesting an active community or crew that participates in various projects together.
kimdhun's content style appears to blend entertainment with interactive elements, creating an engaging viewing experience for his AfreecaTV audience. His streams often feature episodic formats with seasonal progressions, indicating well-planned and organized content delivery that keeps viewers returning for ongoing storylines and developments.
The creator has established a regular broadcasting schedule and maintains consistent viewer engagement through his unique approach to group entertainment and interactive streaming. His content appeals to viewers interested in collaborative entertainment, group dynamics, and structured variety programming within the Korean streaming landscape.